'Capitalism' a savage 'I told you so'
Michael Moore outside the offices of Goldman Sachs in New York City in his documentary "Capitalism: A Love Story."
Published: Friday, October 2, 2009 at 3:00 a.m.
Last Modified: Thursday, October 1, 2009 at 5:07 p.m.
With “Capitalism: A Love Story,” Michael Moore brings it all back to “Roger & Me” (1989), the essay/documentary that started it all.
Facts
MOVIE REVIEW
"Capitalism: A Love Story"
***½
What: A documentary directed by Michael Moore starring Moore, assorted victims, heroes and scoundrels of the current financial meltdown
Rating: R for some language
Running time: 127 minutes
That cautionary Jeremiad about the export of American jobs overseas and the export of power and money from “We the People” to Wall Street is the warning at the beginning and the exclamation point at the end of “Capitalism.” And Moore being Moore, he can’t quite resist a bit of “I told you so” in the process.
“I tried to warn GM that this day was coming,” he says of the bankrupt automaker.
It’s too much for one movie. Prize-winning newspaper series and books have been written about “America: What Went Wrong.” The unholy alliance between Big Bankers and the Treasury Department, the politics of shifting the tax burden away from the rich and screaming “socialism” at those who challenge it, the loss of jobs and rights from individuals to corporations — Moore tries to get at all these currents in American unease in “Capitalism.”
Moore’s camera watches evictions in North Carolina, Illinois and Michigan, and follows a predatory “Condo Vulture” showing clients foreclosed properties in Miami. We see people re-occupy their foreclosed homes in South Florida and demand their promised payoff from a shuttered factory in Chicago.
There is weeping, over lost careers and shattered lives, over the widespread practice of companies taking out secret insurance policies on their employees so that they literally profit by your death.
Wal-Mart loves these “dead peasant” policies, the movie says.
There’s a lot of depressing and readily available information in this “Love Story” about the depths of corporate wrongdoing and the lengths the villains have gone to in re-distributing wealth and power to a handful of people at a handful of Wall Street firms.
Priests decry the “immoral” and “radically evil” ethos of capitalism. Secret memos from Citibank celebrate the new American “plutocracy,” set up for and governed by the rich.
Moore pulls a few stunts — trying to stage citizen’s arrests at Goldman Sachs and AIG. He rents an armored truck and demands repayment of government bailout money. He names the usual suspects as villains — Reagan, Bush, but also Clinton treasury secretaries and Obama’s Timothy Geithner.
Moore has homeowners, workers and members of Congress plead for “fairness.” He lets a Fed who investigated the vast savings and loan scandal of the ’80s condemn “the greatest wave of white-collar crime in history.”
And then Moore calls for the pitchforks.
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