Pause for a moment, in the last leg of your holiday shopping, to glance at one of the manger scenes you pass along the way. Cast your eyes across the shepherds and animals, the infant and the kings. Then try to see the scene this way: not just as a pious set-piece, but as a complete world picture — intimate, miniature and comprehensive.
Because that's what the Christmas story really is — an entire worldview in a compact narrative, a depiction of how human beings relate to the universe and to one another. It's about the vertical link between God and man — the angels, the star, the creator stooping to enter his creation. But it's also about the horizontal relationships of society, because it locates transcendence in the ordinary, the commonplace, the low.
It's easy in our own democratic era to forget how revolutionary the latter idea was. But the biblical narrative, the great critic Erich Auerbach wrote, depicted “something which neither the poets nor the historians of antiquity ever set out to portray: the birth of a spiritual movement in the depths of the common people, from within the everyday occurrences of contemporary life.” And because that egalitarian idea is so powerful today, one useful — and seasonally appropriate — way to look at our divided culture's competing worldviews is to see what each one takes from the crèche in Bethlehem.
Many Americans still take everything: They accept the New Testament as factual, believe God came in the flesh and endorse the creeds that explain how and why that happened. And then alongside traditional Christians, there are observant Jews and Muslims who believe the same God revealed himself directly in some other historical and binding form.
But this biblical world picture is increasingly losing market share to what you might call the spiritual world picture, which keeps the theological outlines suggested by the manger scene — the divine is active in human affairs, every person is precious in God's sight — but doesn't sweat the details.