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Who: Dragon Smoke featuring Eric Lindell, Ivan Neville, Robert Mercurio and Stanton Moore

When: 8 p.m., Thursday, Nov. 30

Where: HopMonk Abbey, 230 Petaluma Ave., Sebastopol

Tickets: $35

Information: 707-829-7300, hopmonk.com/sebastopol

— Dragon Smoke: “Valerie”

— Dragon Smoke: “Good Times”

— Dragon Smoke: “Landslide” (Fleetwood Mac cover)

‘It’s always good to get back, but a lot of people were pretty shook up,” said Eric Lindell, after returning to the Forestville Club a few weeks ago in the wake of the North Bay fires.

But he was glad to play some music to give his fans some solace after last month’s disaster.

“Music is just a universal language. It runs so deep,” he said. “It gives people a real sense of normalcy … people want to get together and talk and share stories. Music is a powerful thing.”

Lindell, with his soulful voice and muscular guitar sound, made a name for himself as a musician in Sonoma County in the 1990s, before moving on to New Orleans.

He’s coming to Sebastopol’s HopMonk Abbey on Nov. 30, as part of an all-star New Orleans funk band called Dragon Smoke, which only plays a few gigs a year beyond the Crescent City.

With legend Ivan Neville and the rhythm section from the innovative groove band Galactic, Dragon Smoke came out of the New Orleans’ Superjam tradition, whereby musicians from different bands play together.

After about 15 years together, the band sounds better than ever, Lindell said during a mid-November interview.

In response to fans’ wishes, Dragon Smoke will play two sets with no opening act at the HopMonk.

Dragon Smoke bassist Robert Mercurio, highly respected for his work with Galactic, said he “knows that feeling” of playing after a disaster: he played with other New Orleans musicians in the wake of Hurricane Katrina in 2005.

Live music is a way for people to “let it all go, to try to forget the crap that they’re dealing with,” Mercurio said. “It really brings it back to the rawness of what entertainment means. It’s an extra special feeling. It’s really what music was meant to do.”

After moving to Sonoma County from San Mateo as a kid in the mid-1970s, Lindell lived all over Sonoma County before moving to Louisiana with his wife, Sarah, in 1999. He’s found a musical home there and become an integral part of New Orleans’ music scene.

“My wife is from Louisiana so we thought we’d try it out,” he said during a phone interview from his ranch, north of Lake Pontchartrain, about an hour from New Orleans.

The New Orleans music scene is “special because it’s a very small community and a pretty close-knit community,” he said.

“It’s very open — there are so many great players, and so much of everybody playing with everybody. I’ve never really seen that anywhere else, and that’s a strong thing for a musical community to have.”

New Orleans’ open spirit led to collaborations with Mercurio and Galactic’s drummer, Stanton Moore. Then Ivan Neville joined the band.

Dragon Smoke, Mercurio said, “can go from a down-and-dirty soulful Ivan song to an upbeat Lindell number,” noting that Lindell has a strong connection to the North Bay.

“Sometimes we’ll go into one of his classic songs, and you just feel the excitement, like, ‘Yeah I love this song!’ You really get the sense of the hometown hero feeling,’” Mercurio said.

Dragon Smoke’s early gigs were at a New Orleans’ club by the Mississippi River called The Dragon’s Den, Lindell said, which led to the band’s name.

Film Fest Highlights

Here are some favorites of the Sebastopol Documentary Film Festival’s directors. All films will show between March 22 and 25. For more details, see sebdocs.org.

“Almost Heaven”: An observational film that follows a 17-year-old Chinese girl training to become a mortician in one of China’s largest funeral homes, 72 minutes. 11:45 a.m. March 24 at the Rialto.

“Among Wolves”: An intimate portrait of a biker club in Bosnia and Herzegovina, 87 minutes. 2:15 p.m. March 25 at the Rialto.

“Bee Nation”: Follows the challenges and triumphs of six students competing in Canada’s inaugural First Nations spelling bee, 81 minutes. 7 p.m. March 23 at the Sebastopol Center for the Arts.

“The Cinema Travelers”: Honored at Cannes, traces India’s traveling films as they reach distant villages in what may be their last days due to today’s ubiquity of technology, 96 minutes. 5 p.m. March 24 at the Sebastopol Center for the Arts.

“City of Joy”: Traces a group of girls who suffered unspeakable abuse as they reclaim their lives in the Democratic Republic of the Congo, 74 minutes. 7:30 p.m. March 23 at the Rialto.

“Donkeyote”: Follows a rural Spanish man who comes to the U.S to walk the historic Trail of Tears — with his pet donkey. “It’s charming and sweet,” said festival director Desiree Andrews, “a really good example of a film you’ll see at this festival and nowhere else,” 86 minutes. 7:15 p.m. March 23 at the Sebastopol Center for the Arts.

“Knife Skills”: Witnesses the launch of an upscale restaurant in Cleveland, staffed by ex-cons. Nominated for an Academy Award for documentary short subject, 40 minutes. 12:15 p.m. March 24 and 1:15 p.m. March 25 both at the Rialto.

“Letters from Baghdad”: Tells the story of Gertrude Bell who some say was as influential as Lawrence of Arabia and shaped Iraq’s destiny after World War I, 95 minutes. 7:30 p.m. March 24 at the Rialto.

“Negative Space”: Oscar-nominated short about a son and his frequent-flier father who teaches the boy how to pack light and tight. At his father’s funeral the protagonist sees his father “laid out in this big carton” and thinks: “Look at all that wasted space.” 6 minutes, 6:15 p.m. March 23, 6:30 p.m. March 24 and 1:15 p.m.March 25, all at the Rialto.

“Rebels on Pointe”: The closing film, is a cinéma vérité documentary featuring Les Ballets Trockadero de Monte Carlo, the all-male ballet company with a cult following, 90 minutes. 4 p.m. March 25 at the Sebastopol Center for the Arts.

“It’s cool playing with Ivan because he covers a lot on the keys,” Lindell said. “The bass player, Mercurio, he’s got a really solid, simple style and it allows the drummer to really open it up. Stanton is a tremendous drummer. It’s good fun, we get to stretch it out a little bit.”

The HopMonk gig is a sort of homecoming for Mercurio, too, as he first played there in 1996 when the venue was called The Powerhouse and bands set up in a corner of the restaurant.

He said it means a lot to play live in the North Bay at this time.

“We just hope to get people not thinking about their problems and help them have a little peace,” Mercurio said. “That’s our mission.”

Dragon Smoke plays an annual gig in New Orleans on the Tuesday night between the two weekends of the New Orleans Jazz & Heritage Festival, a huge event held in late spring.

“The cool thing about Dragon Smoke is that nobody is scared to do anything,” Lindell said.

“We do a cover of ‘Boys of Summer’ by Don Henley … and we do a dub reggae version of ‘Landslide’ by Fleetwood Mac.”

Ultimately no one, including the band members, knows exactly what they’ll play at any given show. But with four supremely talented musicians in such a cozy venue, it’s a combination that can’t miss.

Michael Shapiro is the author of “A Sense of Place” and writes about travel and entertainment for national magazines and The Press Democrat.

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