Designer Karl Lagerfeld, Chanel’s global icon, dies in Paris
PARIS - Karl Lagerfeld, the iconic couturier whose designs at Chanel and Fendi had an unprecedented impact on the entire fashion industry, died Tuesday in Paris, prompting an outpouring of love and admiration for the man whose career spanned six decades.
Although he spent virtually his entire career at luxury labels catering to the very wealthy - including 20 years at Chloe - Lagerfeld’s designs quickly trickled down to low-end retailers, giving him global influence.
Former supermodel Claudia Schiffer, who credits Lagerfeld as her mentor, called him her “magic dust.”
“What (Andy) Warhol was to art, he was to fashion; he is irreplaceable,” she said.
The German-born designer may have spent much of his life in the public eye - his trademark white ponytail, high starched collar and dark glasses are instantly recognizable - but he remained a largely elusive figure.
Such was the enigma surrounding the octogenarian Lagerfeld that even his age was a point of mystery for decades, with reports he had two birth certificates, one dated 1933 and the other 1938.
In 2013, Lagerfeld told the French magazine “Paris Match” he was born in September of 1935 - which would make him 83 today - but in 2019 his assistant still didn’t know the truth - telling The Associated Press he liked “to scramble the tracks on his year of birth - that’s part of the character.”
Chanel confirmed that Lagerfeld, who had looked increasingly frail in recent seasons, died early Tuesday in Paris. Last month, he did not come out to take a bow at the house’s couture show in Paris - a rare absence that the company attributed to him being “tired.”
“An extraordinary creative individual, Lagerfeld reinvented the brand’s codes created by Gabrielle Chanel: the Chanel jacket and suit, the little black dress, the precious tweeds, the two-tone shoes, the quilted handbags, the pearls and costume jewelry,” Chanel said.
The brand’s CEO Alain Wertheimer praised Lagerfeld for an “exceptional intuition” that was ahead of his time and contributed to Chanel’s global success.
“Today, not only have I lost a friend, but we have all lost an extraordinary creative mind to whom I gave carte blanche in the early 1980s to reinvent the brand,” he said.
Chanel said Virginie Viard, his longtime head of studio, will create the house’s upcoming collections, but did not say whether her appointment was permanent.
Tributes from fellow designers, Hollywood celebrities, models and politicians quickly poured in. Donatella Versace thanked Lagerfeld for the way he inspired her and her late brother Gianni Versace.
Lagerfeld was one of the most hardworking figures in the fashion world, joining luxury Italian fashion house Fendi in 1965 and later becoming its longtime womenswear design chief in 1977, as well as leading designs at Paris’ family-owned power-house Chanel since 1983.
While at Fendi, Lagerfeld helped create the notion of fun fur, lending an ease to a formal wardrobe topper by adding stylized touches.
At Chanel, he served up youthful designs that were always of the moment and sent out almost infinite variations on the house’s classic skirt suit, ratcheting up the hemlines or smothering it in golden chains, stings of pearls or pricey accessories.
Wit was never far behind any collection.
“Each season, they tell me (the Chanel designs) look younger. One day we’ll all turn up like babies,” he once told The Associated Press.
His outspoken and often stinging remarks on topics as diverse as French politics and celebrity waistlines won him the nickname “Kaiser Karl” in the fashion media. Among the most acid comments included calling former French President Francois Hollande an “imbecile” who would be “disastrous” for France in Marie-Claire, and telling The Sun British tabloid that he didn’t like the face of Pippa Middleton, the Duchess of Cambridge’s sister.
“She should only show her back,” he advised.
Lagerfeld was also heavily criticized for sending out a negative message to women when he told France’s Metro newspaper that British singer Adele was “a little too fat.”
Despite this, he was very kind to his staff at Chanel, generous with his time with journalists and shared his Parisian mansion with a Siamese cat called Choupette.
“She is spoilt, much more than a child could be,” he told the AP in 2013.
Lagerfeld had little use for nostalgia and kept his gaze firmly on the future. Well into his 70s, he was quick to embrace new technology: He famously had a collection of hundreds of iPods. A photographer who shot ad campaigns for Chanel and his own eponymous label, Lagerfeld also collected art books and had a massive library and a bookstore as well as his own publishing house.
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