News/--Cellist Jamie Feldman of Sebastopol is heading to a major conservatory and is pursuing a career in music.(Kent Porter / The Press Democrat)2009

Big things lie ahead for pianist Holmefjord-Sarabi, cellist Feldman, both 17

The success of a classical musician requires more than just raw talent. It takes hours of practice and ear training, plus the perseverance and guts of a long-distance runner.

It?s a gantlet fraught with peril. But if you?re one of the lucky few who make it through, you will be inspired and nourished by music for the rest of your life.

?Fame and success are always being dangled before you,? cellist Yo-Yo Ma once warned. ?You can easily become a slave to your desire, become an addict. But you have to choose your drug carefully."

Cellist Jaime Feldman, 17, of Sebastopol has already auditioned and been accepted into several music conservatories across the country: Oberlin College, the Cleveland Conservatory of Music and the Peabody Institute. She has also earned wait-list status at the New England Conservatory, her top choice. It?s all in a day?s work for the well-rounded cellist.

?I?m not one of those people who practice nine hours a day and has no life,? Feldman said. ?You really have to know how to practice. ... That?s what matters.?

Pianist Lawrence Holmefjord-Sarabi, 17, of Healdsburg also has lofty ambitions. He plans to apply this fall to many of the major conservatories in the United States and beyond.

?There?s a fantastic conservatory in Oslo, Norway,? he said. ?I would go to the ends of the earth to study there, because that?s where Leif Ove Andsnes, the great Norwegian pianist, studied.?

Born in Hawaii to parents from Norway and Iran, Holmefjord-Sarabi is already a citizen of the world. Although Feldman is widely considered a world-class talent, she emanates a sweet, girl-next-door charm.

These two unusual teens will join forces at 7 p.m. Saturday April 25 in a chamber music concert at the Sonoma Country Day School?s Jackson Theater.

During the benefit for the Russian River Chamber Music Society, the rising stars will perform a program of Beethoven, Schumann, Chopin and Liszt with more experienced players from the Glendeven String Quartet.

Here?s a look at these young classical lions, as they prepare to launch themselves into the spotlight.

Holmefjord-Sarabi?s didn?t start piano lessons until he was 11. He had tuned into a PBS broadcast of pianist Vladimir Horowitz playing Rachmaninoff?s thorny Piano Concerto No. 3, and made a snap decision. That?s what he wanted to do.

?By most standards, it was very late,? he said. ?In China and in Europe, they start kids between 3 and 4 years old, before their feet can even touch the pedals.?

Even as a beginning student, Holmefjord-Sarabi aimed high, demanding to play what he now views as a ?ridiculously ambitious repertoire.? His first teacher, Virginia Cayton of Healdsburg, humored the precocious lad.

?She sort of slipped in the basics, while allowing me to play pieces like the Grieg Piano Concerto ... stuff I shouldn?t have been playing.?

After studying with Cayton for a few years, he was accepted as a student of Dr. John ?Jack? Ringgold of Santa Rosa, who had studied with the renowned Beethoven interpretor and piano pedagogue Artur Schnabel.

?Jack is such a serious and deep musician,? Holmefjord-Sarabi said of his teacher. ?To him, the first and foremost thing is the art itself. ... He helps me with the phrasing, the meaning behind the music and the cantabile, the singing-like quality.?

The young pianist also studies theory, composition and improvisation with William Allaudin Mathieu of Sebastopol.

Holmefjord-Sarabi went to Healdsburg elementary and junior high. Then, through the Healdsburg Center for Independent Study, he graduated from high school in just two years, leaving him free to concentrate on music.

On an average week day, the pianist gets up at 7 a.m., showers and eats breakfast, then practices for about four hours. After a lunch break, he practices for another four hours, then takes a longer break. After dinner, he studies theory and harmony.

On weekends, he enjoys going to San Francisco to catch a movie, a museum exhibit or a concert. On a recent weekend day, he took in two concerts in one day: one by French pianist Pascal Roge, the other by Budapest-born pianist Andras Schiff.

At home, he plays on a 5-foot-8 Mason & Hamlin grand piano. ?It was the largest sound for its size,? he said. ?And it was Rachmaninoff?s piano of choice.?

His father, Shari Sarabi, works as the executive chef at River Rock Casino, and his mother, Lisbeth Holmefjord, consults for small wineries. His family has been extremely supportive of his musical dreams.

This Saturday, the pianist will perform Beethoven?s Cello Sonata with Feldman and Schumann?s Piano Quintet with the Glendeven Quartet. On his own, he will play Liszt?s Paganini Etude No. 2 and Chopin?s Scherzo No. 3.

?It?s hands-down my favorite piece,? he said of the Chopin. ?Scherzo means joke in Italian, and this is one of the most vicious pieces he wrote.?

By the time she was 4 years old, Feldman was already wrapping her tiny legs around a one-eighth size cello. When she lugged it around, the bulky instrument completely eclipsed her body.

?I looked like a cello with legs,? she said, laughing. ?It was covered with stickers, and I really liked it.?

Her dad, ophthalmologist Ed Feldman, had taken her to a chamber music festival in Blue Hill, Maine, and soon afterwards, the preschooler asked for cello lessons.

?The register of the cello really resonates in me,? she explained. ?It?s the closest instrument to the human voice.?

Feldman and her family moved from Sarasota, Fla., to California when she was 9. Around the same time, she started getting really serious about her music.

In Sonoma County, Feldman?s musical ambition was whetted by playing in the Santa Rosa Symphony?s Youth Orchestra. By age 10, she had performed with the orchestra at Carnegie Hall in New York.

Feldman went on to serve as principal cellist of the Youth Orchestra from 2003 to 2008. She also placed first in the Youth Symphony?s Concerto Competition in 2006 and performed with the Young People?s Chamber Orchestra.

At age 11, she was accepted into the San Francisco Symphony Youth Orchestra and the following year, she went on a three-week European tour with the group.

Now a senior at the Summerfield Waldorf School in Santa Rosa, Feldman enjoys painting and drawing, hanging out with friends and running in her spare time.

This summer, she will return to the Itzak Perlman Music Program, a six-week camp on a secluded island off Long Island.

?You?re basically playing for eight hours a day,? she said. ?It?s insane, but it?s fun.?

While Feldman ponders which conservatory she will go to in the fall ? she?s leaning toward Oberlin, if she doesn?t get into New England ? she is continuing her studies with cellist Irene Sharp, who has studios in San Francisco, Palo Alto and New York City.

With 50 years of experience as a teacher, Sharp was able to prepare Feldman for the grueling audition process.

?I could never have done it without her,? Feldman said. ?She knew exactly what I had to do and exactly how long it was going to take.?

Although she enjoys orchestral playing, Feldman?s heart is set on playing in a string quartet someday. Unless, of course, she decides to become a neurologist.

?For my senior project, I researched music therapy,? she said. ?From that, I became interested in neurology. ... They believe that, for some reason, our brains process music longer than anything else.?

You can reach Staff Writer Diane Peterson at 521-5287 or diane.peterson@pressdemocrat.com.

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