s
s
Sections
You've read 3 of 10 free articles this month.
Get unlimited access to PressDemocrat.com, the eEdition and our mobile app starting at 99 cents per month.
Already a subscriber?
You've read 6 of 10 free articles this month.
Get unlimited access to PressDemocrat.com, the eEdition and our mobile app starting at 99 cents per month.
Already a subscriber?
You've read all of your free articles this month.
Get unlimited access to PressDemocrat.com, the eEdition and our mobile app starting at 99 cents per month.
Already a subscriber?
We've got a special deal for readers like you.
Get unlimited access to PressDemocrat.com, the eEdition and our mobile app starting 99 cents per month and support local journalism.
Already a subscriber?
Thanks for reading! Why not subscribe?
Get unlimited access to PressDemocrat.com, the eEdition and our mobile app starting 99 cents per month and support local journalism.
Already a subscriber?
Want to keep reading? Subscribe today!
Ooops! You're out of free articles. Starting at just 99 cents per month, you can keep reading all of our products and support local journalism.
Already a subscriber?

Sculptor T Barny has lived a charmed artistic life. He was still a student at Rhode Island School of Design in 1979, when his critical success was assured by his first commissioned piece, an eagle with a five-foot wingspan. It also gave him a strong taste of excitement and frustration, when one of the wings broke. He successfully navigated that event, when the commissioner accepted that accidents happen. He even received a bonus for the completed eagle.

He’s been a working artist since that first commission. His works take from two weeks, the quickest he can finish a creation, to seven years, for a particularly “uncooperative stone.”

Now the artist is determined to meet a new goal he set for himself: To work in 200 types of stone before he reaches his 60th birthday on August 8. Last December, T Barny calculated that he had worked in 179 types of stone from 41 different countries. That number is now at 186, including pieces in progress. He has all the stones except one.

Just off Pine Flat Road in the Alexander Valley, amidst the splendor of grape vines and oak trees, the sculptor’s property offers a visual treat. Signs and yard art complement the hundreds of organ pipe cactus sporting large white blossoms. Stones invite investigation.

As an artist, T Barny is both friendly and self-confident. He says, “I do things with stone others cannot do.” Touch is the method by which he works and his tactile sense is well honed. His ability to conceptualize space informs his work.

“The stones direct me more than I direct the stone,” says T Barny. He notes that “you can’t put something back,” so he’s deliberate in his work, and considers himself “a psychologist of stone.”

T Barny, whose name is a play on his birth name, which he wouldn’t divulge, has lived and worked in Healdsburg for 35 years. He feels the place is the perfect fit for him. In his Alexander Valley studio he can “make all the noise and dust” he has to in order to create sculptures large and small.

The 59-year-old T Barny was born in San Francisco, attended Choate Rosemary Hall School in Connecticut, as well as Denison University in Ohio, Stanford and Brown universities. He has a bachelor’s degree from the Rhode Island School of Design and a master’s of fine arts degree from the Royce School of Design in Mountain View. He is married to Melinda Barnard, the vice president for faculty affairs at Sonoma State University.

In addition to his work in stone, he has worked in bronze, wood, water, steel and ice. He does not pour his own bronze, but uses Bronze Plus art foundry in Sebastopol. He’s worked with them for 30 years. Working in stone poses some unique challenges, including sourcing materials, which often take up to a year to receive. Suppliers “like him because he takes unique sizes of stone.”

The sculptor averages 28 pieces each year in sizes ranging from 1 feet to 9 feet tall. He uses hand tools and power tools. When asked about favorite pieces, T Barny says that his favorite piece is the “piece he is working on today.”

T Barny said his mind sees in three dimensions and he knows that space and touch play an important role in each of his works.

Meanwhile, there are more than 100 tons of raw materials from 41 different nations on his property, awaiting his talent to reveal their inner beauty. The artist expects to find the final piece of stone to reach his goal of 200 at the Carving Studio and Sculpture Center in West Rutland, Vermont, in August, just days before his birthday.

T Barny is represented locally by Arena Galleries. His work can also be found at the Mary Titus Gallery in Carmel, the Hunter Kirkland Gallery in Santa Fe, New Mexico, and at Melissa Morgan Fine Arts in Palm Desert. His work can be seen at the Green Music Center at Sonoma State University, as well.

One of his newest bronzes will soon be on display at the newly expanded Big John’s Market in Healdsburg. Commissioned by John and Kim Lloyd, the piece will revolve on its pedestal just inside the entrance.