Gaye LeBaron: Remembering Williegate, a 'musical' scandal
Willie Nelson was in town last Tuesday. Luther Burbank Center was sold out, jam-packed. As one who has been a Willie fan since those dear, dead days when guitars didn’t have cords attached, I was there. It was a crowd ranging in age from youngsters in their 50s to gray beards older than Willie himself, who is 86.
He hasn’t lost his mojo. He provided a country-classic playlist, mostly the ones that brought whoops of delight at the first two chords - “On the Road Again,” “Always on My Mind,” “Mammas Don’t Let Your Babies Grow Up to be Cowboys,” “Whiskey River,” “Crazy,” and about dozen more.
There were a lot of Willie T-shirts in the crowd, some from concerts in the ’70s. I looked for but didn’t see the Sonoma County classic reading:
“Mamas Don’t Let Your Babies Grow Up To Be FAIR DIRECTORS.”
At 38 years and counting, it may be that it is too long to hold a grudge.
HHHHHH
THE GRUDGE WASN’T against Willie. In a strange and truly inexplicable way, he was the hero.
It was the Sonoma County Fair Board of Directors that was cast in the role of villains in the historic (using the adjective loosely) event known as “Williegate.”
Sonoma County fans have been treated to Willie’s unique talents several times since that unfortunate political adventure. Each one, as he grows older, recalls the time, 38 years ago, when Willie DIDN’T come.
The singer was bouncing off the top of the charts when he was scheduled to headline a concert at the fairgrounds in late July 1981.
There was no Green Music Center. There was no Luther Burbank Center (Henry Trione was just then gathering “investors” known as Henry’s Angels to buy the church buildings of the defunct Christian Life Center). The stars of the music world hit town just once a year in those days - to play at the Sonoma County Fair.
In the spring, when the contracts were negotiated, the main attractions were ostensibly a secret. But it was still a comparatively small town in those days and … well, you know how it is. People who had stood in line to hear Loretta Lynn the year before heard murmurs that Willie, fresh from his role in the Redford/Fonda film “The Electric Horseman,” would be on the docket for late July.
Leafing through the newspapers of the day, one can almost feel the instant outrage at what happened next, told on the front pages and creatively expressed in a month or more of vitriolic “letters to the editor.”
HHHHHH
THE “SITUATION” UNFOLDED like this:
MAY 15, a Friday, 7:30 a.m.: The note posted on the door at the fair office, where a considerable crowd had been gathering since 6 a.m., read: “All Willie Nelson reserved seats for the 9 p.m. show are sold out through fair directors presale. Pit and bleacher tickets for the 9 p.m. show are available.”
If you were one of those in line, you probably can still conjure the roars and shrieks of outrage echoing down through the years.
Nineteen of the 20 board members had purchased 1,500 tickets before they went on public sale.
The first explanation from Fair Manager Ignazio Vella was that directors were concerned Nelson’s twin concerts “might not sell out,” so they voted to order ahead of time to insure the singer’s fee, which was reported as either $50,000 or $90,000, take your pick.
The fair board president, exhibiting leadership, bought 404 of the 1,500 tickets. Either he had a great deal of “concern” - or a lot of Willie-fan friends.
MAY 17: The board president made his first comment on the matter, telling reporters about the fear that Nelson would not be a big enough draw. “We guessed wrong,” he said. He was right about that.
MAY 19: A list was published with the names of who bought the tickets and how many. Seventeen board members purchased tickets in double-digit numbers. One bought 360 and another acquired 404. In addition, two directors bought just eight family box seats, and one lone, very proud holdout, Joe Johnson, politely declined the offer.
Those who want more names can find them on the PD’s digitized website.
MAY 20: The first of a storm of outraged letters appeared in the editorial pages. The old, familiar “Name Withheld” (still allowed back then) led off with a description of the early morning surprise:
“I have never before seen a crowd change (so quickly) from nice and quiet to a mumbling, grumbling group.” Mild criticism, compared to what was to come.
MAY 27: Fair Manager Vella blamed Willie for the whole mess, saying that his decision to play San Francisco’s Cow Palace in June, just weeks before the July 29 fair concerts, drove worried fair directors into the pre-sale mode.
UPDATED: Please read and follow our commenting policy: