For Travis Scott, a history of chaos at concerts, followed by a night of unspeakable tragedy
In Travis Scott's 2019 Netflix documentary "Look Mom I Can Fly," in the aftermath of a particularly volatile May 2017 show at the Walmart Arkansas Music Pavilion in Rogers, Ark., one fan beamed at a camera crew while leaning on crutches. "I survived, I survived! It's all good!" they said.
Following the show, Scott faced three misdemeanor charges of inciting a riot, disorderly conduct and endangering the welfare of a minor after he invited fans to overpower security and rush the stage. Scott pleaded guilty to disorderly conduct and had to pay more than $6,000 to two people injured at the show.
"I just hate getting arrested, man. That s— is whack," Scott said in the documentary, upon his release from jail.
Scott's talent for stirring up a young fanbase with the fury of an underground punk act has long been a part of his appeal. On his 2018 song "Stargazing," the rapper reveled in his crowds' heaving energy: "it ain't a mosh pit if ain't no injuries." Yet the 30-year-old rapper is also one of the most successful figures in contemporary hip-hop, an endorsement-friendly business mogul in the vein of Jay-Z and Puff Daddy, and one of a handful of rap artists who can headline major festivals. His reputation as an incendiary live performer arguably exceeds his recorded music as the main driver of his current popularity.
But that penchant for inspiring chaos onstage has led to troubling situations, long before Friday's Astroworld crowd-stampede disaster that killed eight people and left numerous concert-goers injured in Houston.
Scott has twice faced criminal charges related to inciting crowds into over-heated fervors. Before the incident in Arkansas, the rapper pleaded guilty in 2015 to charges of reckless conduct, after cajoling fans at Lollapalooza to climb over barricades and onto the stage with him during his show at the Chicago festival.
"Everyone in a green shirt get the f— back," Scott said, referencing the festival's security staff. "Middle finger up to security right now." He then led the crowd in a chant of "We want rage." (Scott often refers to his fans as "ragers.")
Scott's set lasted barely five minutes, whereupon he fled the scene and was soon apprehended by local police. A judge ordered him under court supervision for a year following his guilty plea.
In April 2017, a man named Kyle Green sued Scott after he attended a show at Terminal 5 in New York City, where Green claims fans pushed him off an upper-deck balcony. A different fan jumped from the same balcony in a widely seen video, after Scott pointed him out and encouraged him to leap off. "I see you, but are you gonna do it?" Scott said from the stage. "They gonna catch you. Don't be scared. Don't be scared!"
Green was left partially paralyzed by the incident. Reached by Rolling Stone after the Astroworld incident, an attorney for Green said that he's "devastated and heartbroken for the families of those who were killed and for those individuals who were severely injured. He's even more incensed by the fact that it could have been avoided had Travis learned his lesson in the past and changed his attitude about inciting people to behave in such a reckless manner."
In 2019, Scott wrote "DA YOUTH DEM CONTROL THE FREQUENCY," on an Instagram video of fans storming barricades at one of his shows. "EVERYONE HAVE FUN. RAGERS SET TONE WHEN I COME OUT TONIGHT. BE SAFE RAGE HARD. AHHHHHHHHHHH." Three people were hospitalized following a crowd stampede over security barriers at the 2019 edition of the Astroworld Festival.
The 30-year-old Scott, whose real name is Jaques Webster, was born in Houston, a famed city for outlaw hip-hop that figures prominently in his work (His chart-topping 2018 album "Astroworld" was named after a now-closed local theme park). His father and grandfather were jazz and soul musicians, and he studied musical theater while growing up in the middle-class Houston suburb of Missouri City. In 2012, he signed deals as an artist (with T.I.'s Grand Hustle imprint for Epic) and as a writer/producer (with Kanye West's G.O.O.D. Music). His music was both visceral and melancholy, produced with the weight and ferocity of trap but glazed over with vocal processing and distended samples.
On two early mixtapes and his 2015 major-label debut "Rodeo," singles like "Antidote" set a template for how rap would sound in the coming decade — bruising, miserable, sleekly nihilist. The LP's swarm of guest appearances — Justin Bieber, the Weeknd and Kanye West among them — announced that a new star had arrived.
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